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Elegante mode ab 60 california

Bronnen, noten en/of referenties
  1. california http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 20.
  2. ↑ http://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 36.
  3. a b http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 9.
  4. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 16.
  5. ↑ http://dx.doi.org/10.4236/aasoci.2012.24034 A. Jiratanatiteenun, C. Mizutani, S. Kitaguchi, T. Sato & K. Kajiwara (2012) Habitual Difference in Fashion Behavior of Female College Students between Japan and Thailand, Advances in Applied Sociology, 260-267, p. 261.
  6. a b c https://eltalpykla.vdu.lt/1/32351 A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 32.
  7. a b c http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 36.
  8. ↑ http://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 29.
  9. Style Spotlight: Gothic Lolita in Belgian Cupcakes Magazine, uitgegeven door Hilde Heyvaert, vol. 5, 2012.
  10. Style Spotlight: Classic Lolita in Belgian Cupcakes Magazine, uitgegeven door Hilde Heyvaert, vol. 2, 2011.
  11. Style Spotlight: Sweet Lolita in Belgian Cupcakes Magazine, uitgegeven door Hilde Heyvaert, vol. 1, 2011.
  12. ↑ http://fau.digital.flvc.org/islandora/object/fau%3A39739 B. Berry (2017) Ethnographic Comparison of a Niche Fashion Group, Lolita. Florida Atlantic University. United States. Page 9.
  13. ↑ (en) Lolita Handbook Gearchiveerd. LiveJournal Gearchiveerd op 2015-03-05. Geraadpleegd op 8, augustus 2017.
  14. ↑ Volume 2: Styles, Sub-styles, and Themes. Tumblr Gearchiveerd op 10 augustus, 2017. Geraadpleegd op 10 augustus, 2017.
  15. a b c d e f g h i http://dx.doi.org/10.2752/9781474235327/KAWAMURA0008 Y. Kawamura (2012) Harajuku: The Youth in Silent Rebellion, Bloomsbury Fashion Central, 65-75.
  16. a b c d https://eltalpykla.vdu.lt/1/32351 A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 33.
  17. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 75.
  18. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 53.
  19. a b http://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 30.
  20. The Outrageous Street-Style Tribes of Harajuku. BBC. Geraadpleegd op 13 June 2018.
  21. ↑ Japan's Wild, Creative Harajuku Street Style is Dead. Long Live Uniqlo. Quartz. Geraadpleegd op 13 June 2018.
  22. The Outrageous Street-Style Tribes of Harajuku. BBC. Geraadpleegd op 13 June 2018.
  23. ↑ What the Hell has Happened to Tokyo's Fashion Subcultures?. Dazed. Geraadpleegd op 13 June 2018.
  24. Volume 3: The Anatomy of an Outfit op The Lolita Guide Book. Tumblr Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 11 februari, 2018.
  25. a b http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 39.
  26. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 79.
  27. ↑ (en) Lolita Handbook Gearchiveerd 2007. LiveJournal Gearchiveerd op 2007-02-22. Geraadpleegd op 10 februari, 2018.
  28. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 55-66.
  29. ↑ http://www.asia-studies.com/sjeaa2011.1.html T. Younker (2011) Lolita: Dreaming, Despairing, Defying, Stanford Journal of East Asian Affairs, Volume 11 No.1, 97-110, p. 97-98.
  30. a b https://eltalpykla.vdu.lt/1/32351 A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 40.
  31. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 9-14.
  32. a b http://nccur.lib.nccu.edu.tw/handle/140.119/79821 A. Peirson-Smith (2015) Hey sister, can I borrow your style?: a study of the trans-cultural, trans-textual flows of the Gothic Lolita trend in Asia and beyond, City University of Hong Kong.
  33. a b c d e http://eprints.hud.ac.uk/23676/ Z. Young Kang & T. Diane Cassidy (2015) Lolita Fashion: A trans­global subculture. Fashion, Style & Popular Culture, 2 (3). pp. 371­-384. ISSN 2050-0726.
  34. ↑ http://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 26.
  35. ↑ http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 14-15.
  36. Why is Lolita called "Lolita"? Does Lolita Fashion Have Anything To Do With Nabokov?, Caro Dee, F Yeah Lolita, 2013. Blogspot Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 10 februari 2018..
  37. a b https://skemman.is/handle/1946/22798 I. Guðlaug Valdimarsdótti (2015) Fashion Subcultures in Japan. A multilayered history of street fashion in Japan, University of Iceland, p. 21.
  38. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 28.
  39. a b http://cejsh.icm.edu.pl/cejsh/element/bwmeta1.element.desklight-5ce7475b-0ff6-4d82-8767-082e9ba5cdf1/c/ K. Koma (2013) Kawaii as Represented in Scientific Research: The Possibilities of Kawaii Cultural Studies, Hemispheres, Studies on Cultures and Societies, (28), 103–117.
  40. ↑ https://dspace.carthage.edu/handle/123456789/2121 M. Christopherson (2014) The Power of Cute: Redefining Kawaii Culture As a Feminst Movement, Carthage College, United States of America, p. 5.
  41. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 29.
  42. ↑ https://skemman.is/handle/1946/22798 I. Guðlaug Valdimarsdótti (2015) Fashion Subcultures in Japan. A multilayered history of street fashion in Japan, University of Iceland, p. 29.
  43. ↑ http://www.journals.vu.lt/acta-orientalia-vilnensia/article/view/1095 N. Onohara (2011) Japan as fashion: Contemporary reflections on being fashionable, University of Hyogo, Acta Orientalia Vilnensis 2011, 12-1, 29-41, p. 35.
  44. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 119-121.
  45. ↑ https://skemman.is/handle/1946/22798 I. Guðlaug Valdimarsdótti (2015) Fashion Subcultures in Japan. A multilayered history of street fashion in Japan, University of Iceland, p. 13.
  46. ↑ http://dx.doi.org/10.2752/9781474235327/KAWAMURA0008 Y. Kawamura (2012) Harajuku: The Youth in Silent Rebellion, Bloomsbury, 65-75.
  47. a b http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 119.
  48. a b https://dspace.carthage.edu/handle/123456789/2121 M. Christopherson (2014) The Power of Cute: Redefining Kawaii Culture As a Feminst Movement, Carthage College, United States of America, p. 24.
  49. Very Old School Lolita: The fashion in the 90's, 80's, and 70's, Caro Dee, F Yeah Lolita, 2010. Blogspot Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 10 februari, 2018..
  50. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 35.
  51. ↑ http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 14.
  52. ↑ About Metamorphose. Metamorphose Gearchiveerd op 23 september 2004. Geraadpleegd op 25 February 2018.
  53. ↑ http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 13.
  54. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 168.
  55. ↑ http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 18-21.
  56. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 61.
  57. ↑ http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 24.
  58. a b http://dx.doi.org/10.1177%2F0011392106066816 Y. Kawamura (2006) Japanese Teens as Producers of Street Fashion, Current Sociology, Vol 54, Issue 5, 784-801, p. 793-794.
  59. ↑ http://dx.doi.org/10.2752/9781474235327/KAWAMURA0006a Y. Kawamura (2012) Geographically and Stylistically Defined Japanese Subcultures, Bloomsbury Fashion Central, 43-50.
  60. ↑ https://doi.org/10.1111/j.1548-1395.2008.00006.x Gagné, Isaac (2008) Urban Princesses: Performance and "Women's Language" in Japan's Gothic/Lolita Subculture. Journal of Linguistic Anthropology; Jun 2008; 18, 1; ProQuest Central. p. 139.
  61. ↑ Tokyo Day 7 Part 3 — Gothic Lolita, Marui One, Marui Young Shinjuku. Geraadpleegd op 8 Augustus, 2017.
  62. ↑ Pretty in Pink. The Bold Italic Editors Gearchiveerd op 9 augustus, 2017. Geraadpleegd op 9 augustus, 2017.
  63. ↑ http://www.journals.vu.lt/acta-orientalia-vilnensia/article/view/1095 N. Onohara (2011) Japan as fashion: Contemporary reflections on being fashionable, University of Hyogo, Acta Orientalia Vilnensis 2011, 12-1, 29-41, p. 33.
  64. ↑ Interview: Jenna Winterberg and Michelle Nguyen - Page 1, Aoki, Deb.. Manga About Gearchiveerd op 30 maart, 2008. Geraadpleegd op 11 februari, 2018..
  65. ↑ Gothic & Lolita Bible in English. Japanese Streets Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 8 augustus, 2017..
  66. ↑ Baby, the Stars Shine Bright and Tokyo Rebel to open retail locations in New York. Arama! Japan Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 8 augustus, 2017.
  67. ↑ Fashion Magazine KERA to End Print Publication. Arama! Japan Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 8 augustus, 2017.
  68. ↑ Japan’s wild, creative Harajuku street style is dead. Long live Uniqlo. Quartz Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 8 augustus, 2017.
  69. a b c d e http://dx.doi.org/10.2752/9781474235327/KAWAMURA0011 Y. Kawamura (2012) Kouenji and Other Fashion Districts: From Secondhand Clothes Lovers to Fast Fashion Followers, Bloomsbury Fashion Central, 93–98.
  70. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 33. & p 37.
  71. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 199.
  72. a b http://www.asia-studies.com/sjeaa2011.1.html T. Younker (2011) Lolita: Dreaming, Despairing, Defying, Stanford Journal of East Asian Affairs, Volume 11 No.1, 97-110, p. 106.
  73. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 7.
  74. a b http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 40.
  75. ↑ http://dx.doi.org/10.1080/09555803.2014.900511 Masafumi Monden (2014) Being Alice in Japan: performing a cute, ‘girlish’ revolt, Japan Forum, 26:2, 265-285.
  76. a b http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1589.
  77. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 45.
  78. ↑ http://www.asia-studies.com/sjeaa2011.1.html T. Younker (2011) Lolita: Dreaming, Despairing, Defying, Stanford Journal of East Asian Affairs, Volume 11 No.1, 97-110, p. 103.
  79. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 51.
  80. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 29.
  81. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 31.
  82. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 53.
  83. ↑ http://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 25.
  84. a b c d http://www.aut.ac.nz/profiles/test/senior-lecturers/kathryn-hardy-bernal Kathryn A. Hardy Bernal (2007) Kamikaze Girls and Loli-Goths. Conference paper presented for the Fashion in Fiction Conference, University of Technology, Sydney, Australia.
  85. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 72-73.
  86. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 39.
  87. ↑ https://skemman.is/handle/1946/22798 I. Guðlaug Valdimarsdótti (2015) Fashion Subcultures in Japan. A multilayered history of street fashion in Japan, University of Iceland, p. 22.
  88. ↑ Press Conference, 26 February 2009. Ministry of Foreign Affairs of Japan Gearchiveerd op 12 augustus, 2017. Geraadpleegd op 12 augustus, 2017.
  89. ↑ Association formed to pitch ‘Lolita fashion’ to the world. The Japan Times Gearchiveerd op 11 augustus, 2017. Geraadpleegd op 11 augustus, 2017.
  90. a b c https://rauli.cbs.dk/index.php/cjas/article/view/4020 G. Borggreen (2013) Cute and Cool in Contemporary Japanese Visual Arts. The Copenhagen Journal of Asian Studies, 29(1), 39-60, p. 39.
  91. a b http://dx.doi.org/10.2752/9781474235327/KAWAMURA0015 Y. Kawamura (2012) The Globalization of Japanese Subcultures and Fashion: Future Possibilities and Limitations, Bloomsbury Fashion Central, 126-135.
  92. ↑ http://dx.doi.org/10.20381/ruor-4249 L. Atkinson (2015) Down the Rabbit Hole: An Exploration of Japanese Lolita Fashion, University of Ottawa, Canada, p. 17.
  93. ↑ The Kawaii Ambassadors (Ambassadors of Cuteness). Trends in Japan Gearchiveerd op 11 augustus, 2017. Geraadpleegd op 11 augustus, 2017.
  94. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 66.
  95. ↑ http://dx.doi.org/10.1177%2F0011392106066816 Y. Kawamura (2006) Japanese Teens as Producers of Street Fashion, Current Sociology, Vol 54, Issue 5, 784-801, p. 798.
  96. ↑ https://skemman.is/handle/1946/22798 I. Guðlaug Valdimarsdótti (2015) Fashion Subcultures in Japan. A multilayered history of street fashion in Japan, University of Iceland, p. 32.
  97. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University, p. 46.
  98. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University, p. 34.
  99. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University.
  100. ↑ http://is.muni.cz/th/402388/ff_m/ I. Plevíková (2017) Lolita: A Cultural Analysis, Masarykova univerzita, Czechia, p. 106.
  101. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 61.
  102. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University, p. 46-55.
  103. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 75-118.
  104. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602.
  105. ↑ http://www.asia-studies.com/sjeaa2011.1.html T. Younker (2011) Lolita: Dreaming, Despairing, Defying, Stanford Journal of East Asian Affairs, Volume 11 No.1, 97-110, p. 98. & p. 100.
  106. ↑ Tokyo’s Lolita scene all about escapismn. The Japan Times Gearchiveerd op 11 augustus, 2017. Geraadpleegd op 11 augustus, 2017.
  107. ↑ Let’s talk 100 percent kawaii!. The Japan Times Gearchiveerd op 6 augustus, 2017. Geraadpleegd op 6 augustus, 2017.
  108. ↑ http://www.asia-studies.com/sjeaa2011.1.html T. Younker (2011) Lolita: Dreaming, Despairing, Defying, Stanford Journal of East Asian Affairs, Volume 11 No.1, 97-110, p. 100.
  109. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University.
  110. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 185.
  111. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 51.
  112. ↑ http://www.dbpia.co.kr/Journal/ArticleDetail/NODE06676333 J. Joohee Park (2010) Japanese Youth Subcultures Styles of the 2000s, International Journal of Costume and Fashion, Volume 10 No. 1, 1-13.
  113. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 10-12.
  114. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University, p. 64.
  115. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1598.
  116. ↑ http://www.asia-studies.com/sjeaa2011.1.html T. Younker (2011) Lolita: Dreaming, Despairing, Defying, Stanford Journal of East Asian Affairs, Volume 11 No.1, 97-110, p. 100. & p. 106.
  117. a b http://dx.doi.org/10.2752/175174111X12858453158066 Osmud Rahman, Liu Wing-Sun, Elita Lam & Chan Mong-Tai (2011) “Lolita”: Imaginative Self and Elusive Consumption, Fashion Theory, 15:1, 7-27.
  118. ↑ http://dx.doi.org/10.2752/9781474235327/KAWAMURA0012 Y. Kawamura (2012) Individual and Institutional Networks within a Subcultural System: Efforts to Validate and Valorize New Tastes in Fashion, 99-114.
  119. ↑ http://fau.digital.flvc.org/islandora/object/fau%3A39739 B. Berry (2017) Ethnographic Comparison of a Niche Fashion Group, Lolita. Florida Atlantic University. United States. Page 55.
  120. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 81-86.
  121. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University, p. 62-63.
  122. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 47.
  123. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 69.
  124. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 38.
  125. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 61.
  126. a b http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 93.
  127. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 85.
  128. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 104-107.
  129. ↑ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 221.
  130. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 57.
  131. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 103-104.
  132. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 68.
  133. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 70-72.
  134. ↑ https://dspace.carthage.edu/handle/123456789/2121 M. Christopherson (2014) The Power of Cute: Redefining Kawaii Culture As a Feminist Movement, Carthage College, United States of America, p. 23.
  135. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita visual in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1584.
  136. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 28.
  137. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 67.
  138. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1585.
  139. ↑ http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 30.
  140. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1584-1585.
  141. ↑ Lolita Fashion. The Paris Review Gearchiveerd op 6 augustus, 2017. Geraadpleegd op 6 augustus, 2017.
  142. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1586-1587.
  143. ↑ Lolita Nylon Advertenties Gearchiveerd op 2016-07-10. Geraadpleegd op 6 augustus 2017.
  144. a b http://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 34.
  145. ↑ http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 33.
  146. ↑ http://ijoc.org/index.php/ijoc/article/view/1333 Perry R. Hinton (2013) Returning in a Different Fashion: Culture, Communication, and Changing Representations of Lolita in Japan and the West, International Journal of Communication 7, 1582–1602, p. 1593.
  147. Why is Lolita called "Lolita"? Does Lolita Fashion Have Anything To Do With Nabokov?, Caro Dee, F Yeah Lolita, 2013. Blogspot Gearchiveerd op 8 augustus, 2017. Geraadpleegd op 11 augustus, 2017..
  148. a b http://dx.doi.org/10.2752/136270402778869046 Sharon Kinsella (2002) What's Behind the Fetishism of Japanese School Uniforms?, Fashion Theory, 6:2, 215-237.
  149. ↑ http://nccur.lib.nccu.edu.tw/handle/140.119/79821 A. Peirson-Smith (2015) Hey sister, can I borrow your style?: a study of the trans-cultural, trans-textual flows of the Gothic Lolita trend in Asia and beyond, City University of Hong Kong, p. 10.
  150. ↑ http://dx.doi.org/10.4236/aasoci.2012.24038 A. Jiratanatiteenun, C. Mizutani, S. Kitaguchi, T. Sato & K. Kajiwara (2012) The Transformation of Japanese Street Fashion between 2006 and 2011, Advances in Applied Sociology, 2, 292-302, p. 294.
  151. ↑ http://dx.doi.org/10.2752/BEWDF/EDch6063 C. Tidwell (2010) Street and Youth Fashion in Japan, In J.E. Vollmer (Eds.), Berg Encyclopedia of World Dress and Fashion: East Asia, Oxford: Berg Publishers, 398–403.
  152. ↑ http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 2.
  153. De opkomst van de mangacultuur in België. Een subcultuuronderzoek., Lora-Elly Vannieuwenhuysen, p. 48, KU Leuven, 2014-2015.
  154. ↑ http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62778 K. Mikami (2011) Cultural Globalization in People’s Life Experiences: Japanese Popular Cultural Styles in Sweden, Stockholm University, p. 5-12.
  155. ↑ http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 30.



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